My LA agent had been sitting on my book for a couple of months. I’d gotten no feedback from him, only the studied silence of a poised insect. I decided to breach the stillness and give him a call.
The Phone Call
David: Happy New Year. It’s David.
Agent: Know how many Davids I know?
David: I know my full name shows up on your phone.
Agent: So kill me. What’re you calling me for?
David: Did you read my book yet? Continue reading “Sharks in Coach (Talking about my Novel with my LA Agent)”
I write because I am a prisoner.
I write because there exists, beyond the walls of my preconceptions and just outside the barriers of my inventiveness, another story.
It’s not wholly personal or cultural or factual. It’s not religious or utopian. Nor is it political. It’s all of these things, or some, or none of them. It’s unknown, untold; it’s novel.
I write to discover that new story – the one that will set me free.
My novel is available here: The Last Island
Toward the end of Harper Lee’s classic novel, ‘To Kill a Mockingbird,’ when the rape trial of Tom Robinson has concluded and Atticus Finch is walking toward the exit, Reverend Sykes instructs Scout, Atticus’ daughter, to rise.
“Miss Jean Louise, stand up. Your father’s passin’,” he says.
Robinson, an innocent Black man, has just been convicted by an all-White jury, and Atticus, his White lawyer, has ostensibly failed. But they stand up, the Black citizens of Maycomb, Alabama, they stand up along with the Reverend and Scout, because moral courage of the sort Atticus exhibited, true moral courage, must be acknowledged. Continue reading “The Passin’ of Jimmy Carter”